(Oddly, the applause at the end of the piece sounds tepid, but I'm guessing that's the microphoning and not really a good gauge of the audience's actual reaction to the work, because they soon shift into rhythmic applause, which is right up there with the standing ovation.)
The personal blog of author Kelly Sedinger, chronicling the adventures of one overalls-clad wanderer.
Thursday, April 21, 2016
Something for Thursday
I heard this delightfully, pompously British piece on the radio yesterday and promptly fell in love with it. Here's the London Suite by Eric Coates, in a live performance.
(Oddly, the applause at the end of the piece sounds tepid, but I'm guessing that's the microphoning and not really a good gauge of the audience's actual reaction to the work, because they soon shift into rhythmic applause, which is right up there with the standing ovation.)
(Oddly, the applause at the end of the piece sounds tepid, but I'm guessing that's the microphoning and not really a good gauge of the audience's actual reaction to the work, because they soon shift into rhythmic applause, which is right up there with the standing ovation.)
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment