
Via. Fantastic!
See what I did there? It's "ultra". One step up from "super". Take that, Mary Poppins!
Which brings me to the topic here: Mary Poppins, the stage musical, which we were lucky enough to see live at Shea's Buffalo a couple of weeks ago. (Thanks to tickets provided by the lovely Jennifer Smith, who always manages to make the magic happen!)
I love going to see shows and we don't get to see nearly enough of them, so I was excited to go to this one. I haven't been in Shea's in seven years -- last time was for a play The Daughter's preschool class attended -- and before that, not since 1999 when we went to see Phantom of the Opera. That's too long. Now, some of that time, we didn't even live in Buffalo, and other times, finances made going to see shows about as possible as launching ourselves to Mars. Nowadays, though, going to Shea's to see a show or two isn't off the table as an option. (If only there would be a full-scale touring revival of Les Miz...!)
But as excited as I was, I was also a bit nervous about this one. Mary Poppins is one of my favorite Disney films of all, and while it's rightly seen as a classic, it tends to be seen as more of a classic family or children's movie than one of the truly great movie musicals, which is what it is (in addition to the other things). I was somewhat fearful of the translation of a beloved movie to the stage.
For the most part, though, this fear was laid aside. The stage show, it turns out, is not a simple transposition of movie to stage show with a couple of new numbers inserted; instead, it goes its own way at several points. The film was, after all, merely based on a series of children's books written in the 1920s; thus, the stage show was able to retain quite a few of the movie's best songs, but was also able to incorporate the new ones by using material from the source books that the film didn't. This made for a show that was both familiar and different.
The bare bones of the story is the same: a well-to-do -- but not rich -- family in London is in need of a nanny for its two nice, well-meaning, but not terribly well-behaved children. Nannies have apparently come and gone, but it's not until a very special nanny comes along that the kids meet their match. That nanny's name is Mary Poppins, and she's the type of nanny who makes entrances by flying in on the handle of her umbrella and toting around a satchel that contains things like six-foot-tall coat racks. Mary takes quick charge of the kids, showing them somehow that cleaning one's room can be fun (no, I've never bought into her logic on this one, either) and showing them around London where they have some very odd adventures.
Along the way -- and this is the real point of departure from the movie -- we get a good look at the trials and tribulations of the parents, George and Winifred, both of whom are having existential struggles of their own. George is worried about providing for his family, while Winifred is worried about her role as the mother. George works at the bank, as in the film and books, where he suffers flashes of idealism but often buckles down before authority. Frankly, a lot of this material struck me as being fairly dull, and I would have preferred the more whimsically odd bank of the film, where young Michael inadvertently causes a run on the bank and where the story's ultimate moment of epiphany comes from a humorless character suddenly getting a joke. Unfortunately, that joke ("I once met a man with a wooden leg named Smith." "What's the name of his other leg?") is not in the stage show. Nor is the wonderful sequence involving Uncle Albert, a man who laughs so much that he levitates to the ceiling when he laughs and then can't get down.
The stage show blends many of the wonderful songs from the film with a more modernized kind of storyline, occasionally with odd results. When young Michael opines of one particularly nasty nanny that "She probably ate her young", it was a funny line -- but it also had me thinking, "Oh, come now, no kid in Victorian England is going to talk like that." The denouement of that particular storyline -- when George's earlier decision to give a loan to a guy who looks like a waste of money turns out to have been a brilliant business decision -- felt so predetermined as to seem almost fake. It had none of the effectiveness of George's epiphany in the film, when he loses his job at the bank and realizes that his family is more important, anyway. I really missed how "Let's Go Fly a Kite" is transformed from the number where George finally plays with his children, into a number for Bert the chimneysweep.
Also, the complex lyrics of the original songs (by the amazing Sherman Brothers) occasionally seem out-of-place in a more modern type of story as this. I kept thinking of the first song of the film, in which Winifred sings of her work as a suffragette. Of course, would kids these days even know what a suffragette was? Probably not. But the show's setting suffers a bit, thus.
Technically, though, Mary Poppins works wonderfully. I loved the set design, with the Banks house looking like a giant dollhouse that literally opens up to fill the stage, and other stage effects such as the scene changes that take place as seamlessly as any I can remember. The two show-stopping numbers -- "Supercalifragilisticexpialidocious" and "Step In Time" -- both brought the house down, and my favorite Mary Poppins song, "Feed the Birds", survived the translation to stage just beautifully. Another number, taking place in a London park and involving naked Greek statues come to life, was -- well, I found it a bit distracting, because from my balcony seat, I kept thinking, "Is that statue really naked? Is there a guy wearing a costume with a marble phallus really dancing around on the stage right now?!"
(Oh, come on. If you saw the show, you were thinking it, too!)
The focus is on the Sherman Bros. songs, while the new songs ("Practically Perfect" and "Anything Can Happen" among them) work nicely enough. But there's never any mystery as to what we really want to hear, is there?
As for Shea's Buffalo itself, well, it's such a beautiful theater. Just a wonderful place. I love the ambience, the ornate atmosphere, the pre-show music on the Mighty Wurlitzer organ, everything about it. Although I did think that the concessions folks, selling candy and soft drinks during intermission, missed an opportunity to tie in their wares to the feature attraction. Wouldn't you agree that when selling M&Ms at a theater where Mary Poppins is playing, the price should be "tuppence a bag"?
I have made a decision. I will no longer debate the issue of homosexuality in the church with anyone. I will no longer engage the biblical ignorance that emanates from so many right-wing Christians about how the Bible condemns homosexuality, as if that point of view still has any credibility. I will no longer discuss with them or listen to them tell me how homosexuality is "an abomination to God," about how homosexuality is a "chosen lifestyle," or about how through prayer and "spiritual counseling" homosexual persons can be "cured." Those arguments are no longer worthy of my time or energy. I will no longer dignify by listening to the thoughts of those who advocate "reparative therapy," as if homosexual persons are somehow broken and need to be repaired. I will no longer talk to those who believe that the unity of the church can or should be achieved by rejecting the presence of, or at least at the expense of, gay and lesbian people. I will no longer take the time to refute the unlearned and undocumentable claims of certain world religious leaders who call homosexuality "deviant." I will no longer listen to that pious sentimentality that certain Christian leaders continue to employ, which suggests some version of that strange and overtly dishonest phrase that "we love the sinner but hate the sin." That statement is, I have concluded, nothing more than a self-serving lie designed to cover the fact that these people hate homosexual persons and fear homosexuality itself, but somehow know that hatred is incompatible with the Christ they claim to profess, so they adopt this face-saving and absolutely false statement.
See, here’s the the thing – I can’t tell you how Green Lantern will be as a movie, but after visiting the New Orleans set of the film I can tell you that director Martin Campbell and company are working to make the biggest, most epic, most sweeping, most cosmic superhero film yet. Forget Hal Jordan versus muggers in an alley, Green Lantern is really about Hal Jordan battling to save not himself, not his girlfriend, not even just his city but the entire planet Earth. Green Lantern is a huge movie, with set pieces that will be unlike anything you’ve ever seen before. I can’t spoil where the final battle takes place, but it’s an INSANE location – it certainly isn’t your standard issue end-of-the-movie warehouse, bridge or warehouse-like supervillain lair.
And it’s not just Hal Jordan. Green Lantern will feature the entire Green Lantern Corps; while visiting I saw life-sized cardboard cut outs of Tomar-Re and Kilowogg, the alien GLs who help train Hal Jordan. I saw mock ups of Oa, the planet at the center of the galaxy where the Guardians of the Universe oversee the galactic police force that is the Corps. And I saw much, much more – stuff that will make not just GL fans but hardcore space fantasy nerds salivate with excitment. I’m talking massive planetary and space vistas, incredible alien life forms and crazy space ship designs.
Closeup on the pitcher as he leans forward to see the signs.
Long shot so we can see the catcher.
Quick cut to the guy at first, getting a good jump.
Back to the pitcher, who takes his stance.
Cut to the batter, who taps the plate with the bat and readies for his swing.
Back to the pitcher, who glances over his shoulder at the guy at first.
Back to the long shot. The catcher readies for the pitch.
The pitcher stands there, ready. Glances at first again. Seems about to wind up.
He winds up, and finally, when the tension's greatest and the crowd is screaming wildly, here's the pitch.
The batter swings.
Makes contact.
The ball goes...somewhere. Where? Well, that determines the next moment.
It sure strikes me as odd that science is doing no inquiry that I know of into the odd phenomenon that beer tastes better on Friday than it does on Tuesday. How does the beer know what day it is?!
Hey, I was wondering if you would know which older movie featured a battle scene wherein the protagonist and antagonist morphed into various creatures...but since it was well before morph technology, the screen showed neon-like outlines of the animals (in electric blue and neon red, as I recall). Was it Clash of the Titans '81? A Conan movie? Something else entirely? I saw that little bit of the movie as a kid, and it has stuck in my memory ever since. Do you have any idea what I'm writing about?
Watch Phyllis Diller torture puppies
Eat broccoli
Sit through The Usual Suspects again
Attend an all-Hindemith concert music program
Work my way through the entire discography of Ace of Base
Venture out in public with no shirt on beneath my overalls
Get hit with a pecan pie
Peel 50 lbs of potatoes
Vote Republican
Discuss the Star Wars Prequel trilogy with anybody at Ain't It Cool News
Eat medium-rare chicken
Visit the Creation Museum
Drink a glass of vegetable oil
The sunrise sky was particularly striking one morning last week, so I aimed my phone over my shoulder and snapped a picture. Yeah, it's all blurry and stuff, but the colors are the important thing here. We get beautiful sunrises and sunsets here. (I think I read somewhere that Buffalo is the only major city east of the Mississippi where you can see the sun set over water, owing to its position on Lake Erie.)
[Steampunk is] a subculture that embraces the simplicity and romance of the past and at the same time couples it with the hope and promise and sheer supercoolness of futuristic design.
People will vote for him because they don't see the advantage in voting for a "good person," if Cuomo even represents that. How does Carl being bigoted or homophobic affect them? How does having an open minded person affect them? If the open minded person raises their taxes, drives away business, and makes their children leave for NC, can you blame them for voting for the nut?
Remember when you could tell a lot about a guy by what cassette tapes—Journey or the Smiths?—littered the floor of his used station wagon? No more, because now the music of our lives is stored on MP3 players and iPhones. Our important papers live on hard drives or in the computing cloud, and DVDs are becoming obsolete, as we stream movies on demand. One by one, the meaningful artifacts that we used to scatter about our apartments and cars, disclosing our habits to any visitor, are vanishing from sight.
Nowhere is this problem more apparent, and more serious, than in the imperilment of the Public Book—the book that people identify us by because they can glimpse it on our bookshelves, or on a coffee table, or in our hands. As the Kindle and Nook march on, people's reading choices will increasingly be hidden from view. We'll go into people's houses or squeeze next to them on the subway, and we'll no longer be able to know them, or judge them, or love them, or reject them, based on the books they carry.
OK, I didn't want my one-sentence rant about Carl Paladino (the next post down) to be the top-most item on this blog for most of the day, so here's a pretty picture. This is Taughannock Falls, located near Ithaca. We were just there last week (more pics to come from that trip). We've gone this time of year for the last three or four years, although we don't stop by Taughannock Falls each year (even though it is very easy to get to). This year, the week preceding our trip was much rainier than usual, so I figured there'd be a lot more water going over the brink than we've seen in the past, and I was right. What a beautiful spot.
(I would have liked to get a pic of The Wife and I there, in front of the Falls, but some putz was taking up most of the scenic overlook with his tripod. My photo, taken by hand with our little $70 Kodak point-and-shoot, probably turned out just as nice as whatever he was doing!)