I haven't done one of these in a while -- the "Friday Shuffle" thing, so here it is. (If you haven't seen it, what you do is set up your computer's music program to play shuffle your entire music library and then post the first ten tracks the computer plays.)
1. "Remembering" from Total Recall, by Jerry Goldsmith. I think that this was the last indisputably great score that Goldsmith wrote.
2. "Bounty Hunter's Pursuit" from Star Wars Episode II: Attack of the Clones. Good action cue.
3. "The Cobbler", from the album Big Shoes by the Dave Rowe Trio. I reviewed this album for GMR. This is one of those small bands that can be found in cities all throughout the country. I like their sound a lot.
4. "There's Nothin' Like a Dame", sung by Bryn Terfel from his Rodgers-and-Hammerstein album. I like his Lerner-and-Loewe album better, but this is still a great listen.
5. "Rock Hammer", from The Shawshank Redemption by Thomas Newman. This is a mild underscore cue that becomes rhythmic halfway through. This score's last half hour is amazing.
6. "Lamenta", by Mark Snow, from The Truth and the Light: Music of The X-Files. It really annoys me that this disc, with music from the show's first two seasons and released ten years ago, is still the only music released officially from The X-Files.
7. "Ice Skating Sequence", from Gigi. Music by Frederick Loewe. A nice waltz tune for an ice-skating scene from the film.
8. "Escape from Waziri / Eve and Struts", from High Road to China, by John Barry. This movie was Tom Selleck's consolation prize after he was unable to do Raiders of the Lost Ark because of his contractual obligation to star in CBS's new show Magnum PI. I tend to think that worked out fairly well for all concerned. High Road is a nice little adventure flick, with a good score by Barry.
9. "Goodbye", from Frank Sinatra Sings for Only the Lonely. If you've got a bit of depression that needs to be nursed with some music and booze, this is the album for you.
10. "Forgotten Overture", from Finding Neverland, by Jan A.P. Kaczmarek. I wrote about this score here. I used to play this score a lot while I was doing feedings for Little Quinn, and as such, this is a rare piece of music that is strongly connected to a certain set of memories and emotions for me. My relation to music tends to be strongly tilted toward the abstract, but not in this case.